Is all practice rendered meaningless, for a given concert, if the performance is bad?
Someone I spend my time thinking that practice can be a success even though the subsequent performance might be entirely technically flawed... bizarre.
Is practice for performance.
Or. Is practice for many reasons.
If a performance is bad does that bring into question the practice?
I get emotional and intellectual meaning from practice. somehow that doesn't translate into my performances.... annoy!
Monday, 5 April 2010
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment