Monday, 5 April 2010

Practice and Performance

Is all practice rendered meaningless, for a given concert, if the performance is bad?

Someone I spend my time thinking that practice can be a success even though the subsequent performance might be entirely technically flawed... bizarre.

Is practice for performance.

Or. Is practice for many reasons.

If a performance is bad does that bring into question the practice?

I get emotional and intellectual meaning from practice. somehow that doesn't translate into my performances.... annoy!

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